Additional information
- Paperback / softback | 176 pages
- 10.9 × 1 × 17.2 cm | 157
- 21 April 2005
- Oxford University Press
- United Kingdom
€11.99
Botticelli, Holbein, Leonardo, Durer, Michelangelo: the names are familiar, as are many of the works. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? This book answers such questions by considering both famous and lesser-known artists, patrons, and works of art from the period.
1 in stock
ISBN: 9780192803542
Book Format: Paperback / softback
Pages: 176
Dimensions: 10.9 × 1 × 17.2 cm
Geraldine A. Johnson is University Lecturer in History of Art at the University of Oxford, and a fellow of Christ Church, Oxford. She received her Ph.D. from Harvard University. Her publications range from studies of Italian Renaissance art to considerations of contemporary American sculpture, and from women patrons in Early Modern Europe to the history of photography. Her work has appeared in imp ortant journals such as The Burlington Magazine, The Art Bulletin, Art History, and Renaissance Quarterly. In 1997, Cambridge University Press published a prize-winning essay collection she co-edited titled Picturing Women in Renaissance and Baroque Italy. The same press also published another volume she edited in 1998 titled Sculpture and Photography: Envisioning the Third Dimension. At present, she is completing a book on the tactile and visual reception of sculpture in Early Modern Italy.
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